Senin, 12 Desember 2011

lets pray..^.^


"Allahuma inni a'udzubika minal hammi wal hazan, wa a'udzubika minal ajzi wal kasal, wa a'udzubika minal jubni wal bukhli, wa a'udzubika min ghalabatid daini wa qahrir rijaal"
 'Ya Allah, aku berlindung kpd-Mu dari kemurungan dan kesusahan, aku berlindung kpd-Mu dari kemalasan dan aku berlindung kpd-Mu dari ketakutan dan kekikiran, aku berlindung kpd-Mu dari tekanan hutang dan paksaan orang." 
(HR. Abu Dawud).

Kamis, 08 Desember 2011

the chronicles

Terkadang hati berbicara, aku ingin kau mencintaiku seperti cintamu padanya. Yang membuatmu dengan tulus mencintaiku, bukan mengasihaniku. Aku ingin menjadi seperti dia yang dapat membuatmu bertekuk lutut dihadapannya, dan bukan datang karena iba. Terkadang sulit sekali membuang apa yang sudah ada. Bahkan tidak tahu sampai kapan aku menyimpannya dan berkata dalam dusta. Semakin aku mengerti bahwa dunia ini penuh dengan batas. Dan tanpa kusadari batas itu sekarang ada dihadapanku, yang membuat semua ini jadi jelas adanya. Andai bisa ku lukiskan semua dalam sebuah noktah, maka semuanya akan terlihat begitu tercermin dalam pandang sebuah sendok. Semua serba terbalik dan berlawanan. Maka ketika aku mendapati diriku yang usang dan layu, aku sedang berpikir tentang  semua itu. Betapa mudahnya dilihat sekarang ini. Hmmm... Yaa Tuhan, andai Kau tau semua yang ku bimbangkan dalam sebuah catatan yang amat membingungkan... Tentang sebuah hasrat yang begitu tua dan rapuh. Maka aku hanya bisa menyakiti mataku yang lelah dengan semua kepayahan duka. Yang pasrah menunggu semua kembali sempurna. 
Lalu sampai Kau datangkan padaku sebuah mimpi yang membuatku menjadi sumringah dalam ketidakberdayaan. Dan hanya dengan mimpi itu aku dapat meyakini semuanya.

Selasa, 26 Juli 2011

I pray and I can see another day

Tuhan,
Aku bersimpuh dihadapaMu, dengan segala rasa malu yang ku rasa.
Mengadukan setiap hal yang membuatku sedih dan terluka,
Membagi setiap kejadian yang membuatku tertawa dan bahagia.
Memohon kekuatan dan belas kasihan,
Meminta ampunan dan ketabahan.
Karena Kau yang paling mengetahui apa yang aku butuhkan dan ku inginkan,
Yang mampu membolak-balikkan isi hati manusia.
Maka hanya Engkaulah yang tahu betapa masalah cinta ini rumit bagiku.

Tuhan, andaikan ada air kedamaian dari setiap rasa yang aku dapati, maka siramkanlah ia dihatiku.
_Vicca

Selasa, 31 Mei 2011

tugas drama IV


 
 

Vika Chosnul C.
A.320 080 231
Class F
The Zoo Story
By Edward Albee

*            The writer gives the title “The Zoo Story”
Because it tells about Jerry, one of main characters in this story, Jerry is an isolated and disheartened man who lives in a boarding house and is very troubled. “Zoo” word in the title reflects Jerry’s behavior which is like zoo.

*            The characters
Peter, a man in his early forties, neither fat nor gaunt, neither
handsome nor homely He wears tweeds, smokes a pipe, carries
horn-rimmed glasses. Although he is moving into middle age, his
dress and his manner would suggest a man younger.
Jerry, a man in his late thirties, not poorly dressed, but carelessly.
What was once a trim and lightly muscled body has begun to go to fat;
and while he is no longer handsome, it is evident that he once was.
His fall from physical grace should not suggest debauchery; he has, to
come closest to it. A great weariness.

*            The Synopsis
A man named Peter, a complacent publishing executive of middle age and upper-middle income, is comfortably reading a book on his favorite bench in New York's Central Park on a sunny afternoon. Along comes Jerry, an aggressive, seedy, erratic loner. Jerry announces that he has been to the (Central Park) Zoo and eventually gets Peter, who clearly would rather be left alone, to put down his book and actually enter into a conversation. With pushy questions, Jerry learns that Peter lives on the fashionable East Side of the Park (they are near Fifth Avenue and 74th Street), that the firm for which he works publishes textbooks, and that his household is female-dominated: one wife, two daughters, two cats, and two parakeets. Jerry easily guesses that Peter would rather have a dog than cats and that he wishes he had a son. More perceptively, Jerry guesses that there will be no more children, and that that decision was made by Peter's wife. Ruefully, Peter admits the truth of these guesses.
The subjects of the Zoo and Jerry's visit to it come up several times, at one of which Jerry says mysteriously, "You'll read about it in the papers tomorrow, if you don't see it on your TV tonight.'' The play never completely clarifies this remark. Some critics think, because of statements Jerry makes about the animals, that he may have released some from their cages, while others think Jerry is talking about a death which has not yet happened, which might be headlined "Murder Near Central Park Zoo.''
The catalyst for the shocking ending transpires when Peter announces, he really must be going home. And then Jerry gives response, begins to tickle Peter. Peter giggles laughs and agrees to listen to Jerry finish telling happened at the zoo. At the same time Jerry begins pushing Peter off the bench. Peter decides to fight for his territory on the bench and becomes angry. Unexpectedly, Jerry pulls a knife on Peter, and then drops it as initiative for Peter to grab. When Peter holds the knife defensively, Jerry charges him and impales himself on the knife. Bleeding on the park bench, Jerry finishes his zoo story by bringing it into the immediate present, "Could I have planned all this. No... no, I couldn't have. But I think I did." Horrified, Peter runs away from Jerry whose dying words, "Oh...my...God".

*            The messages of the story
It can be seen that there is different social class between Jerry and Peter. We can learn about life value which is multi leveled play dealing with issues of human isolation, loneliness, class differences, and the dangers of inaction within American society. It focuses on the need for people to acknowledge and understand each other's differences.            

*            The kind of the story
This story is classified as “man vs. society”, because the conflict arises because of Jerry with his bad behavior which caused of his social life condition.

Senin, 30 Mei 2011

tugas drama III

The Proposal
by Anton Chekov

Vika Chosnul Chotimah
A.320 080 231
Class F



  •  Characters :
a. Stepan Stepanovich Chubukov
b. Natalya Stepanovna
c. Ivan Vassilevitch Lomov

  • Characterization :
a. Stepan Stepanovich Chubukov: 70 years old, a landowner.
b. Natalya Stepanovna: Chubukov’s daughter, 25 years old.
c. Ivan Vassilevitch Lomov: 35 years old, a neighbour of Tschubukov, a large and hearty, but very suspicious landowner.

  • Plot :
Ivan Vassiliyitch Lomov, a long-time neighbor of Stepan Stepanovitch Chubukov, has come to propose marriage to Chubukov's 25-year-old daughter, Natalia. After he has asked and received joyful permission to marry Natalia, she is invited into the room, and he tries to convey to her the proposal. Lomov is a hypochondriac, and, while trying to make clear his reasons for being there, he gets into an argument with Natalia about The Oxen Meadows, a disputed piece of land between their respective properties, which results in him having "palpitations" and numbness in his leg. After her father notices they are arguing, he joins in, and then sends Ivan out of the house. While Stepan rants about Lomov, he expresses his shock that "this fool dares to make you (Natalia) a proposal of marriage!" This news she immediately starts into hysterics, begging for her father to bring him back. He does, and Natalia and Ivan get into a second big argument, this time about the superiority of their respective hunting dogs, Otkatai and Ugadi. Ivan collapses from his exhaustion over arguing, and father and daughter fear he's died. However, after a few minutes he regains consciousness, and Tschubukov all but forces him and his daughter to accept the proposal with a kiss. Immediately following the kiss, the couple gets into another argument.

  • Setting :
a. Setting of place : In a country house of Chubukov
b. Setting of time : In the past time

  • Theme :
The farce explores the process of getting married and could be read as a satire on the upper middle class and courtship.
The play points out the struggle to balance the economic necessities of marriage and what the characters themselves actually want. It shows the characters' desperation for marriage as comical.
In Chekhov's Russia, marriage was a mean of economic stability for most people. They married to gain wealth and possessions or to satisfy social pressure. The satire is conveyed successfully by emphasizing the couple's foolish arguments over small things. The main arguments in the play revolve around The Oxen Meadows and two dogs called Ugadi and Otkatai.

  • Conclusion :
In Chekhov's Russia, marriage was a means of economic stability for most people. They married to gain wealth and possessions. In this play, the concept of marriage is being satirized to show the real purpose of marriage - materialistic gain rather than true love.
Thus, first, it assumes that there is such a thing as true love and that it is a conception based on the idea that two people are literally meant for each other. Second, it states that these two people, though meant for each other, may have to endure a good deal before they can actually achieve the love they feel.

  • Man vs. Society :
It is a man vs. society drama because in the proposal drama there are some conflicts among its characters. Moreover in this drama there is no natural event.

Senin, 16 Mei 2011

tugas drama II

Vika Chosnul C.
A.320 080 231


DEATH OF A SALESMAN

1.      Major Characteristic
Protagonist: Willy Loman
Antagonist: In a broad sense, competitive America society represented in part by Howard    Wagner; in a narrow sense, Willy’s combative son Biff.

Willy Loman: An aging salesman haunted by a feeling that life has been a failure. He hallucinates about past events focusing on his dreams for a better tomorrow; the future of his son, Biff, a star football player; and a woman with whom he had an affair while on a sales trip. During his hallucinations, he sometimes talks to himself.
Linda Loman: Willy’s loyal wife. She accepts her role as a devoted and subservient housewife.
Biff Loman: Willy’s older son, who has trouble holding a job and getting along with his father. After he returns home from the West, his presence and his failure to get a job exasperate Willy.
Happy Loman: Willy’s younger son, who has a steady job but is afraid to take risks to better himself.
Charley: Successful businessman who lives next door to Willy. Willy envies him because he is a constant reminder of what Willy is not.
Bernard: Charley’s son. He is intelligent, hard-working, and successful – everything Biff Loman is not.
Ben: Willy’s deceased older brother, who appears only in Willy’s hallucinations. He struck in rich at an early age in South African diamond mines. He symbolizes the success that has eluded Willy.
Howard Wagner: The son of Willy’s former boss, Frank Wagner, whom Willy admired. Howard, who is now Willy’s boss, represents a new breed of business executive, interested more in advancing technology than people. He fires Willy because of his inability to perform satisfactorily.
Stanley: A waiter at a bar/restaurant where Willy meet his sons.
The Woman: An employee of a Boston company who has an affair with Willy. She is one of the subjects of his hallucinations.
Miss Forsythe and Letta: Attractive young women whom Happy and Biff meet in the bar/restaurant.
Jenny: Charley’s secretary. 

2.      Key Issues
a.)     ILLUSION versus REALITY
Willy is at the bottom of the totem pole in a capitalistic world. He owns nothing, and he makes nothing, so he has no sense of accomplishment. Robbed of this, he develops the theory that if a person is well liked and has a great deal of personal attractiveness, then all doors will automatically be opened for him. Willy built his life around these dreams. However, for Willy to live by his ideals necessitates building or telling many lies, and these illusions replace reality in Willy's mind. He tells lies about how well liked he is in all of his towns, and how vital he is to New England. At times Willy even believes his own lies and becomes enthusiastic when he tells his family that he made more money than he actually did.
Willy then fills his sons so full of this concept of being well-liked that when Biff flunks math he goes to Boston to search for his father. He thought that since Willy is so well-liked, that he will be able to convince the math teacher to change the grade. It was during this time that Biff encountered his father in the hotel room with a woman. Willy's strong desire to be well-liked is what drove him to have an affair in Boston. The fact that she would go to bed with him promoted his ego after a hard day of being turned away by buyers. Therefore the affair is more of an ego booster than a strong desire for Willy to be involved in an illicit love affair.
Biff couldn't accept that his father had committed adultery, and from that point on, he saw his father as a fake. Willy's life began to close in on him and he had nothing more to live for except his illusions and fond memories of the past. More and more, Willy's life involves his dreams and all of the dreams go back to the year before Biff made his break with Willy.
Therefore Willy's entire life has been lived according to his ideas about personal attractiveness and being well-liked. He never questioned these values and never realized that he lived in a world of illusions and dreams. He tried to bring up his children in that same world but he could not keep up the false front, and Biff would not live that way after the incident in Boston.
b.) BIFF AS THE PROTAGONIST OF THE PLAY
Willy is the salesman throughout the play, and he is the character that ultimately dies, but the title can be seen as figurative, rather than literal. The true death in the play is that of Willy's dream for Biff to follow in his footsteps and become a salesman. At the climactic scene when Biff is pleading with his father to forget him and let him and his own dreams go, it is apparent that Biff will never become a salesman as his father had, and that is another death that the title is referring to.
c.) DREAMS LEADING TO DENIAL
This is best exemplified in the life Willy chose for himself. In reality, Willy loved to work with his hands. He had completed large improvements on the house, and prior to his suicide, he planted a garden so that he could leave something tangible behind. However, Willy denied himself of the pleasure of using his hands to make a living because of his dreams to be like Dave Singleman and be so loved that his buyers all came to his funeral. Willy believed the untruth that it was more prestigious to be a less than adequate businessman than a content handyman.
Biff proves to be the true son of his father because he wants to go somewhere in the great outdoors so that they can all work with their hands. A few scenes later, Willy seems to be exceptionally proud of a ceiling that he had installed in the living room. It was a task that the successful Charley could not perform. Both father and son need to express themselves through some type of physical labor. However, when Biff suggests that the Lomans should be "mixing cement on some open plain, or ... be a carpenter," Willy argued that, "your grandfather was better than a carpenter." As a result, Willy's disillusionment got in the way of his happiness.

3.      Synopsis of Death of a Salesman
Willy Loman has been traveling salesman for the Wagner Company for thirty-four years. He likes to think of himself as vital to the New England area. A long time ago, Willy met a salesman named Dave Single man who could go into a town and pick up a phone and would be able to place many orders without ever leaving his hotel room. When this man died, people from all over the country came to his funeral, and this man became Willy's inspiration.
As the play opens, Willy has just come back home after having left for New England that morning. He tells his wife, Linda, that he just can't seem to keep his mind on driving anymore. He asks about his son, Biff, and he drifts off to when Biff was a high school senior fourteen years ago. Biff was playing in an important football game and people from all over the country were coming to offer him scholarships. Then something happened later that year, because Biff did not go to college and has yet to find himself. It is later revealed that Biff has failed math and had gone up to Boston to ask his father to appeal to the teacher. When he reached Willy's hotel room in Boston, Biff found his father having an affair with a strange woman. After that episode, Biff despised his father and could never bring himself to provide Willy with the happiness of having a successful son.
After fourteen years of being away, Biff returns home. He and his brother Happy think of a job that would enable Biff to settle down in New York. They remember Biff's former boss, Bill Oliver, and plan to ask him for a loan of ten thousand dollars to begin a business of their own. They tell their father about their plans, and Willy believes that the two boys could conquer the world in business together. Willy explains that the important thing in life is to be well-liked and to have personal attractiveness. He tells Biff that Mr. Oliver always thought highly of him (despite the fact that Biff was suspected of stealing from a shipment of basketballs), and he reminds Biff of how good looking he is.
The following day, Willy is supposed to meet the two boys for dinner. He is so excited to have his boys on the brink of success that he decides to ask for a job in New York City. Howard Wagner, the present owner of the Wagner Company founded by his father, tells Willy that there is no room for him in New York, and then explains to Willy that he cannot represent the firm in New England either because he has become detrimental to business. Willy is now forced to go to Charley to borrow enough money to pay his insurance premium. It has been revealed that Willy has been borrowing fifty dollars each week for a long time and pretending it is his salary. Even though Charley offers Willy a good job in New York, Willy refuses to accept it because he says he can't work for Charley. Willy takes the money and leaves to meet his sons at the restaurant.
Biff and Happy met in the restaurant and Biff explained that he has been living an illusion. He tells Happy that he has stolen himself out of every job, including this meeting where he stole a pen from Bill Oliver's desk. When Willy arrives he tells the boys that he has been fired and refuses to listen to Biff's story. Willy sits there and pretends that he has another appointment the following day. Willy becomes furious and is about to make a scene, so he goes off to the bathroom. Biff, out of frustration, leaves, and Happy who has picked up two girls, follows him, leaving Willy alone.
Later that night, Biff comes home and finds Willy out in the backyard planting seeds and talking to the illusion of his brother Ben. Willy has not seen Ben for a number of years, and in fact Ben has been dead for some time. Biff explains to Willy that it would be best if they break with each other and never see each other again. He tries once again to explain that he is no longer a leader of men and that he is just a common person who has no outstanding qualities.
Willy refuses to believe him and tells Biff once again how great he can be. Biff becomes frustrated again because Willy refuses to see the truth. He finally breaks down and sobs to Willy to forget him. Then, Willy is taken aback by his son's emotion toward him. Willy resolves on suicide, because with twenty thousand dollars in insurance money, Biff could be magnificent. So that is what he did, Willy crashed his car and caused his own death. It becomes apparent to the reader that Willy died a forgotten man, because no one came to his funeral except his family.

Senin, 18 April 2011

i carry your heart with me

i carry your heart with me
i carry your heart with me (i carry it in
my heart) i am never without it (anywhere
i go you go, my dear; and whatever is done
by only me is your doing, my darling)
i fear
no fate (for you are my fate, my sweet) i want
no world (for beautiful you are my world, my true)
and it's you are whatever a moon has always meant
and whatever a sun will always sing is you
here is the deepest secret nobody knows
(here is the root of the root and the bud of the bud
and the sky of the sky of a tree called life; which grows
higher than soul can hope or mind can hide)
and this is the wonder that's keeping the stars apart
i carry your heart (i carry it in my heart)
by: E. E Cummings

Selasa, 12 April 2011

tugas drama i

Name: Vika Chosnul Chotimah
Nim: A. 320 080 231/ F
The Lesson: By Eugene Ionesco

The setting of this story mostly is lesson situation between the professor and his pupil.

·                  The characters
a. Professor, The Professor is associated as the cleverest and the highest. He is 50 to 60 years old. He is an aggressive person, excessively polite, very timid, his voice deadened by his timidity.
b.The young pupil aged 18. She is a rich person, and fool person but she is attractive.  
c. The Maid, aged 45 to 50. She is stout, patient, red faced. She is always pay attention to the professor.


·                  The Synopsis
The young pupil is eager to learn and she dominates the professor with her confidence and youth, but as the story develops.  Even more she is suffering from the professor’s voice and explanation, such as toothache, earache, headache and eyes ache. The maid, Marie, always warns the professor about his “health” and calamity that might happen. Unfortunately the professor, instead of listening to his maid, ignores her every time she warns him. The maid warns him when the professor explains about philology, and again, the professor ignores her. The maid also warns the professor again when he starts asking about ‘knife’ in different languages, but the maid is already tired to warn him. In the end of the play, the professor kills the pupil with an imaginative knife and with the help of his maid he could get rid of her corpse and then the stage is set again with another young pupil who is ready for the lesson. And it is fortieth times his killed.

·                  The moral value of the story
v Reminds us to control our emotion when we are in difficult situations and stay calm.
v Reminds us not to underestimate to other people.
v Remind us in order to be open-minded person.


·                  The kind of the story
This story is classified as “man vs. society”, because the conflict arises between professor and his pupil.

dearly beloved

aku takut, sebagaimana aku tertinggal...
aku resah, sebagaimana aku sendiri...
aku gentar dengan segala macam perpisahan.
aku bosan dengan segala ancaman.
aku sakit dengan seluruh penantian.
jalan ini, seharusnya untuk kita lalui.
tak usah berkecil hati tentang apa yang sudah menanti.
disana, di ujung sana, kita kan lihat seberapa besar semua itu untuk ditinggalkan.
hati mungkin gelisah untuk melanjutkan semua perjalanan.
tapi teguhkan hati untuk lalui hari.
demi sesuatu yang kita cari.
jangan sampai sesal yang dihadapi.
sahabat, meski tak tersampaikan rasa rindu di hati, tapi percayalah...
semunafik apa dikata, semua masih rapi tertata.
jangan lupa kita pernah sakit dan tertawa bersama..

Senin, 11 April 2011

dari dan untuk sahabat

Bila kau sedang bersukaria, renungkanlah dalam-dalam kelubuk hati.
Disanalah kau kan dapati bahwa hanya yang pernah membuat derita berkemampuan memberi bahagia..
Jika kau berduka cita renungkanlah pula, bakal kau temui bahwa sesungguhnya kau menangisi sesuatu yang pernah kau syukuri..

Kamis, 07 April 2011

TUGAS DRAMA


The Lesson: By Eugene Ionesco

The setting of this story mostly is lesson situation between the professor and his pupil.

·                 The characters
-           Professor, The Professor is associated as the cleverest and the highest. He is 50 to 60 years old. He is an aggressive person, excessively polite, very timid, his voice deadened by his timidity.
-           The young pupil aged 18. She is a rich person, and fool person but she is attractive.  
-            The Maid, aged 45 to 50. She is stout, patient, red faced. She is always pay attention to the professor.


·                 Synopsis
The young pupil is eager to learn and she dominates the professor with her confidence and youth, but as the story develops.  Even more she is suffering from the professor’s voice and explanation, such as toothache, earache, headache and eyes ache. The maid, Marie, always warns the professor about his “health” and calamity that might happen. Unfortunately the professor, instead of listening to his maid, ignores her every time she warns him. The maid warns him when the professor explains about philology, and again, the professor ignores her. The maid also warns the professor again when he starts asking about ‘knife’ in different languages, but the maid is already tired to warn him. In the end of the play, the professor kills the pupil with an imaginative knife and with the help of his maid he could get rid of her corpse and then the stage is set again with another young pupil who is ready for the lesson. And it is fortieth times his killed.         


·                 The moral value of the story
 Reminds us to control our emotion when we are in difficult situations and stay calm, not to underestimate to other people, and be open-minded person.


·                 The kind of the story
This story is classified as “man vs. society”, because the conflict arises between professor and his pupil.

Kamis, 31 Maret 2011

tribute

aq terngiang oleh sebuah suara..
suara yang masih tetap terdengar meski dunia sangat berisik .
suara itu. Yang kan slalu kuingat,,
meski waktu menderu terjal tak berbatu,
sedih ku hanya bisa lalui waktuku,
hai!!! andai bisa kudengar suara saat kupanggil orang.
tapi nyatanya???
mereka mendengarku tapi tak tau maksudku.
no one knows me, but they know my name..
THAT'S NOT REAL TO ME!!!

Senin, 21 Maret 2011

ingin terucap satu kata selamat tinggal untuk semuanya, tapi rasanya sangat sulit..
berjalan kedepan sembari menengok ke belakang, rasanya itu yang harus aku lakukan..
karna aku terlalu takut ada yang tertinggal dan aku kehilangan semuanya..
meski kenyataannya harus ku pikul sendiri, tapi tak apa bagiku..
karna disetiap langkahku selalu ada namaMu dan bayangnya..
yang selalu membuatku tersenyum saat mengingatnya, 
yang selalu bisa bahagia saat ku ingat semuanya..
akan selalu kubawa seberat apapun itu, kusimpan dalam dalam..
takkan kubiarkan hilang, tak akan..
meski itu hanya akan membuatku sakit dan terhempas begitu lama..
ketahuilah segalanya yang aku punya..dan yang pernah aku punya..

Rabu, 16 Maret 2011

IBU

Dulu, ibuku pernah bilang, mewejangi aku, menasehatiku, agar aku bisa mengejawantah kehidupan ini. aku bilang, "iya bu..iya bu..iya bu.." suaranya nyaring bahkan sampai sekarang. ibu, andai kau tahu isi hatiku selama ini, akankah kau ikut menangis mendengarnya?? ataukah kau akan salahkan aku??. ibu, andai kau disini, aku sangat ingin meluapkan semua penyesalan dan kekecewaanku akan semua yang telah terlewati. ibu, sungguh aku ini mengkhianati seluruh kepercayaanmu. andai harus kuterima tamparan atas kekecewaanmu padaku, aku akan berdiri dihadapanmu dan takkan kuhalangi tanganmu. ibu, andai kau tahu perasaanku...ini sangat sulit bagiku bu... bahkan mungkin orang lain tak pernah merasakannya.
Ibu, tetaplah menjadi penopang dalam hidupku agar aku bisa berdiri, meski hanya dengan satu kaki...

Senin, 14 Maret 2011

rapuh

belum sempat ku membagi kebahagiaanku.
belum sempat kumembuat dia tersenyum.
haruskah ku kehilangan tuk kesekian kali.
Tuhan kumohon jangan lakukan itu.
sebab ku sayang dia, sebab kukasihi dia, sebab ku tak rela tak selalu bersama.
ku rapuh tanpa dia, seperti kehilangan arah..
jikalau memang harus ku alami duka, kuatkan hati ini menerimanya...

_agnes monica

Selasa, 08 Maret 2011

untitled

Cing..gerak gemerincing suara dipagi hari..
Membuatku tersadar apa yang sedang terjadi.
Cethak-cethok...cethak-cethok suara kaki berlari,
Menghujam jalan yang kian tak bertepi.
Demi menggugah semangat tuk meraih mimpi.
Ku tautkan sejuta asa yang pasti,
Agar ku bisa pastikan semua itu hanyalah fiksi.
Tapi kulihat mentari benar-benar bersinar di tepi,
 Dengan layu aku membuka hari.
Hampir tak dapat kumengerti,
Kenapa dunia ini begitu sunyi??